The work

You will turn real commercial post-production workflows into training and evaluation material for a generative AI team. Day to day, that includes designing hero cuts and cutdowns, building editable reference timelines in Adobe Premiere Pro or DaVinci Resolve, reviewing AI-generated edits and documenting issues in pacing, continuity, audio sync, color, title safety and delivery compliance.

Editorial and technical scope

The work spans :60 through :06 versions, 16:9, 1:1, 4:5 and 9:16 reframes, localization, re-tags, subtitles, safe areas, loudness and slate specifications. You may also create rubrics, run FFmpeg checks, manage .prproj, .drp, AAF, XML and EDL interchange, prepare ProRes or DNxHR masters and assess handoffs to color, VFX and audio.

What the screen is likely to test

Expect to verify named brand and campaign credits through a public portfolio or reel, then explain specific editorial decisions under follow-up. The screen may probe daily Premiere Pro and DaVinci Resolve use, working familiarity with Avid Media Composer and After Effects, Rec.709 finishing, interchange formats and your ability to distinguish a genuinely usable result from a plausible-looking output produced with Runway, Kling, Luma, Sora, Topaz, Adobe Firefly or Generative Extend.

Logistics

This is a W-2 position with Cincinnatus LLC, with placement as part of an AI lab's extended workforce. It requires at least 40 hours per week during weekdays; the listing does not specify whether the engagement is remote or how much work is asynchronous. Pay band: $70–120/hr