What the work actually involves

You are producing raw perception data, not content. Each session means choosing an activity and environment from the collection brief, rigging the camera above and behind you angled slightly downward, and recording continuous takes of at least 60 seconds in which your entire body and the surrounding scene stay visible. Typical tasks span everyday indoor activity, walking through changing outdoor environments, vehicle navigation with the camera hard-mounted to the car, and occasionally animal-mounted POV. Between shoots you'll be offloading files, checking each clip against the spec (framing, duration, resolution, stabilization), naming and organizing them to the project's convention, and uploading. Rejected clips are a real cost — a take where you drift out of frame for ten seconds is usually a full reshoot.

What the platform screens for

  • Equipment you actually own. micro1 asks which body you have and which mount. Insta360 X3/X4/X5/X6, DJI Osmo 360, GoPro MAX or MAX2, or another camera at 170°+ FOV and 720p minimum. Owning a third-person backpack harness or a vehicle mount already is what lets you start collecting sooner.
  • Understanding of the third-person constraint. Selfie sticks, chest mounts, shoulder clips and tripods are explicitly disqualified. Screeners probe whether you understand why — the model needs your body and the environment in the same frame from behind.
  • Environment access and variety. Whether you can realistically produce indoor, outdoor, and in-vehicle footage across different settings rather than twenty near-identical walks down one street.
  • File discipline. Whether you can follow a naming and submission convention without being chased, and whether you check footage before submitting.
  • Safety judgment, particularly around vehicle mounting and public filming.

Logistics

Fully remote and contractor-based, at an observed rate of $10–15/hr — pay bands on these collection projects vary by geography and task type and are never guaranteed. Recording is largely self-scheduled around daylight, weather, and whatever activities you can naturally arrange, which makes it genuinely async; the fixed points are batch deadlines and occasional written or verbal check-ins about progress and technical blockers. Expect the brief to change mid-project — required environments, angles, or clip counts get revised as the customer's model needs shift, and adapting without renegotiating is part of the job. Storage and upload bandwidth are on you: 360° footage at usable bitrates fills cards fast.