The work
You record Spanish (Latam) voice-over against supplied scripts, then revise takes when a director or reviewer sends notes. Sessions vary by project: some batches are conversational and neutral-accent, others ask for character voices, emotional beats, age range, or dubbing-style timing against a reference track. Because the audio becomes training or evaluation data for speech models, consistency matters as much as performance — the same speaker profile, mic distance, room tone and file format across an entire batch, with no clipping, plosives, mouth noise or background bleed. Deliverables are named and formatted to spec and returned by the stated deadline.
What the screen is looking for
Turing shortlists on demonstrable voice-acting history, then runs a delivery review — effectively a paid or sample recording judged on audio hygiene and direction-following, not just on how pleasant you sound. Expect to talk concretely about your chain (mic, interface, treatment, DAW), your noise floor, how you self-edit, and how you handle a note like "same read, less warmth, 10% slower." Dubbing, ADR or localization credits help, as does a reel showing genuine range rather than one signature voice. A Latin American Spanish native or near-native command is the baseline, and awareness of regional variation — Mexican neutral versus Rioplatense, Andean, Caribbean — is an advantage when a script specifies a market.
Logistics
- Fully remote and freelance; a flexible agreement, not employment, with extension tied to performance and project volume.
- Asynchronous batch delivery is the norm, with occasional live-directed sessions requiring scheduled hours.
- You provide the studio for remote work: quiet, treated space, professional mic and interface, ability to export to a named spec (commonly WAV, 48 kHz, mono).
- Pay is undisclosed on this listing. Rates on comparable Turing voice work are typically quoted per audio hour or per batch and vary by language, character complexity and turnaround.