What the work involves

You record French voice-overs against scripts supplied by the project — sometimes conversational and neutral, sometimes character-driven with a specific emotion, age, or register requested. Batches arrive with direction notes: pacing targets, accent or regional guidance, emotional tone, occasionally a reference clip to match. You record, self-review for mouth noise, plosives, room tone and inconsistent levels, and deliver files in the specified format and naming convention. Revision rounds are normal — a reviewer may ask for the same line warmer, slower, or with a different stress pattern, and turnaround on those is usually short.

Because the audio feeds model training and evaluation rather than a finished media product, consistency matters as much as artistry. The same speaker sounding different across a session, or a file that clips on the loudest line, causes more trouble here than a merely adequate read.

What the platform screens for

  • Verifiable voice work history — named projects, studios, agencies, or a demo reel you can point to.
  • Native or near-native French with clear articulation, plus honesty about which variety you speak (Metropolitan, Québécois, Belgian, West African) and which you can credibly perform.
  • A real recording setup — treated space, condenser or broadcast mic, clean interface, and the ability to hit a stated dBFS/noise-floor spec.
  • Direction-taking — whether you can hear a note and change the performance rather than repeat the same read louder.
  • A delivery review follows shortlisting: a sample recording judged on both performance and technical cleanliness.

Logistics

Fully remote and asynchronous, structured as a flexible freelance agreement rather than employment — no guaranteed hours. Work arrives in batches with deadlines, so availability tends to be described in hours per week of studio time you can commit rather than fixed shifts. Pay is undisclosed on this listing; voice roles in this category are typically quoted per recorded hour or per finished audio minute, and you should ask which unit applies before committing. Contract extension depends on project volume and on your delivery record.